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Davinci resolve studio 14 dual gpu8/25/2023 ![]() Whatever your needs are, having such a powerful software suite at your fingertips, all for the price of free 99, feels like a no-brainer.Jay Niu wrote:Interesting but when I do any edits or preview, other than color grading, I see only one physical core being used. But now, I hop between Adobe and Resolve, depending on my needs. In my career, I've jumped from Avid to FCP. Sticking to one brand isn't always best for every project. There will be times this suite can support your existing workflow or even replace it entirely. This is why DaVinci Resolve 18.5 should belong in every editor's toolkit. And with the new 2x Enhanced Super Scale algorithm, no one will know I still shoot on HD. The FX Relight tool could save scenes you messed up during production. AI-supported text-based editing is a dream for documentary filmmakers. With DaVinci Resolve 18.5, I'm not only seeing a push towards making the suite social media friendly but also powerful enough to throw down on any high-end production. I desperately needed these as each show I worked on ran for about two hours. Moving to Resolve was a dream, as I had better color controls. For 20 years, I edited theater and stage productions, making heavy use of multicam tools found in FCPX. Not only am I the Tech Editor at NFS, but I'm also a film editor. Support for rendering animated GIF clips.New vertical resolution timelines and projects default to full frame with crop.Sign in and upload videos directly to TikTok from DaVinci Resolve.Support for Blackmagic Cloud Presentations.Up to 1.5x faster Lens Blur and Aperture Diffraction on Nvidia systems.Up to 2x faster Beauty, Water Color, and Stylize on Nvidia systems.Ability to swap in and out colorspaces in Resolve FX Color Transform.Color space and gamma options are now organized by vendor.Support for Leica L Log color management.Up to 2x faster spatial noise reduction in Apple silicon.Generated LUTs now include spatial Resolve FX DCTL effects.Ability to manage missing LUTs from the LUT manager.Support for matte finesse post-filter controls in Magic Mask.Up to 3x faster renders when using the Fusion splitter tool.GPU accelerated Clean Plate and Anaglyph.Support for a native AI-based depth map tool in Studio.Support for USD Hydra-based renderers, including Storm.Introduction of the USD toolset for managing USD assets.Import and export timelines using the OpenTimelineIO format.AI-based Resolve FX Relight to add virtual lighting in Studio.Support for AI-based audio classification in Studio.Check out the full release if you'd like to get the full rundown.īut we've parsed through the massive list of updates to give you some of our favorites that we plan on using on a day-to-day basis. The release notes are massive, with over 150 updates to DaVinci Resolve. The Export Edit Index action is now part of the edit index options.The timecode display window now shows timecode entry previews.Improved text wrapping for caption previews in the subtitle inspector.Ability to select all clips under playhead in cut, edit, and Fairlight.Ability to manually relink missing VFX Connect clips. ![]() Option to copy grades from flattened multi-cams to multicam angles.Retime curve now invokes the speed curve by default.Ability to stabilize multiple selected clips from the timeline.Export the current frame as still from media, cut, and edit viewers. ![]()
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